The lead vocalist and guitar player for
Too Many Drummers had an interesting story to tell. He told of his
family's adventure to sail around the world. He made clear that they
had not done it all at once but over a period of eleven years. If
you have ever paid attention to the accounts of people braving the
open sea in a relatively small sailboat you cannot come away
unimpressed with the bravery of these people. He told of being alone
at night standing watch when everyone else was asleep and the
darkness being so profound one could not see anything at all and how
easy it was for despair to creep in. Then he told of watching the
sun come up over the ocean and how the light played off the water and
how it brought an overwhelming sense of ….....hope.
I expected a band with this name to be
all about drums but I was surprised to find that is not the case.
This name is derived from an experience with the world from which
messages come at a person from all sides and angles, just as if
instead of following one's own drummer there are a multitude of
drummers vying for your attention and how difficult it is to hear
your own drummer. Hence the name “Too Many Drummers.”
The credits for this band listed the
Icthus Festival as well as some other Christian formats and I asked
Dave Abbott if they were a Christian band. He hesitated for a moment
and replied “we are Christians who play music.” A distinction
since their music is not overtly religious but does carry a message
that there is more here than just the beat and words that rhyme. In
his words they try to do music that has some depth. He understood
that might sound pretentious but I assured him I understood his
meaning. Bands are so much more enjoyable when you know where they
are coming from.
Knowing where they come from was no
problem concerning Tommy Minton and Kelly Caldwell. I am not as
familiar with Ms. Caldwell but I have known Tommy since he was about
12 years of age. I was present when he first began showing up at
gatherings and pickings. Not a few of us were amazed at his ability
then and are no less amazed now. I can recall attending bluegrass
festivals and listening to Tommy hold his own around a campfire with
headline performers. His progression through the banjo, mandolin and
guitar was meteoric and it was his need for a good guitar that was
the inspiration for the first Master Musician's Festival. It was
this connection that was honored this year by presenting Tommy with
the 20th anniversary Master Musician's Award. It was
justly so. His collaboration with Kelly Caldwell not only
contributes harmonies and accompaniment but also is the impetus for
expanding horizons. A couple of covers of Civil Wars tunes was spot
on and illuminated some of the directions that Bluegrass music and
it's cousin, Americana music, are taking. The harmonies perfected by
the Civil Wars were more than adequately expressed by Tommy and
Kelly. Tommy played all four instruments and near the end of his set
returned to an old standby bluegrass gospel rendition of “I'm
Working on a Building.” Personally, I don't think this set was
topped by any other act there and I'm ecstatic I made the effort to
be present for the noon kickoff on Saturday.
I was looking forward to seeing and
listening to The Dirty Grindstones this year following Brandon
Roush's foray into the national spotlight with his appearance on The
Voice. I thought he did a better job than he was given credit for on
the show but I told Juanita then that I had heard him do better on
our local stage. Saturday he showed us he could do better and the
band showed us why. Austin Roush on lead guitar is simply an
impresario of rock. His antics are reminiscent of Angus Young and
his vocal harmonies fill out the cavities. The entire band carried
on for a solid hour and a half of whirling dervish rock and roll in
stifling heat. I recall when I first saw this band a few years ago
they were playing under a different name and I accused them of
raiding their grandparents rock and roll library for their
influences. Influences such as Joe Cocker, Led Zeppelin and AC/DC
are apparent and their skill and confidence on stage has only grown.
They certainly have the chops to hit the big time but luck plays a
big part in that. The wealth of talent available to see greatly
exceeds the time allotted for the most commercially successful acts.
Gabrielle Mattingly (now Gray) deserves
our thanks for her vision and those who have contributed time, effort
and sweat over the past two decades are to be appreciated also. This
festival is perhaps the premier event that takes place in our
locality. While it could not have prospered without help from
governmental and private agencies it is the dedication of hundreds of
people that have made it possible. Of late, Tiffany Bourne, current
board President has done a splendid job shepherding the resources
necessary to expand the attendance and influence of this festival.
This year the presence of Willie Nelson on the playbill increased the
attendance to a record 6000 or so for both nights. The current venue
could possible hold a few more but it is near capacity. This year
marked the first year for legal alcohol sales and it went over almost
without a hitch. Not bad for a first year. I was watching for
evidence of excessive consumption and judged this crowd to be better
behaved than many I have seen.
This year was also the first year that
the festival received a lot of promotional coverage in the
newspapers. The Commonwealth-Journal did a pretty good job with
coverage and the Lexington Herald-Leader also kicked in with a good
writeup. It is this kind of thing that I have been saying will
promote our area to people who are not aware of its charms and will
contribute to the financial opportunities available.
Kudos to all those who make this
festival possible. Successful events in our area have been few with
the Somernights Cruise being the other example. I am looking forward
to bigger and better things in the future. I plan to follow up with
some comments on other performers since it was a pretty strong lineup
top to bottom.
My take? Rock on!